I am interested in what or who is not there, what I can't quite see and the helplessness of not being able to 'ground' an image in a time line.
If something moves the viewer or I is it something more than social conditioning? Is there an innate aspect involved? Is there a transference that occurs when darkness and danger are implied?
What preconceptions do the viewer and I bring to the experience? How does scarcity, complexity and proximity in both content and composition inform this process?
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drei was first exhibited at Breadbox Gallery from April 18-May 04, 2008 as part of the FotoFreo 2008 Perth programme.
As part of the first full exhibition of drei, a limited edition book was also produced featuring the full series, statements and essays from Paola Anselmi & David Bromfield.
All images © Christopher Young 2006-08.
No usage without permission.
1000mm x 700mm Lightjet Print. Edition of 10 (2006)